You Should Have Left Vintage
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NOW A MAJOR MOTION PICTURE - From the internationally bestselling author of The Director, an eerie and supernatural tale of a writer's emotional collapse "Mind-bending. . . . Part horror, part science fiction." --The New York Times Book Review "This is a story about a marriage in trouble, and about a seemingly impossible desire to protect a young child . . . but also about something else, something unavoidable and powerful but terrifyingly vague." --The Spectator
"Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics." --Harper's Magazine A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn't right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren't where he remembers them--and finds in his notebook words that are not his own.
"Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics." --Harper's Magazine A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn't right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren't where he remembers them--and finds in his notebook words that are not his own.
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06 Sep
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NOW A MAJOR MOTION PICTURE - From the internationally bestselling author of The Director, an eerie and supernatural tale of a writer's emotional collapse "Mind-bending. . . . Part horror, part science fiction." --The New York Times Book Review "This is a story about a marriage in trouble, and about a seemingly impossible desire to protect a young child . . . but also about something else, something unavoidable and powerful but terrifyingly vague." --The Spectator
"Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics." --Harper's Magazine A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn't right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren't where he remembers them--and finds in his notebook words that are not his own.
"Clever, exquisitely terrifying. . . . [Kehlmann] makes entertainment out of metaphysics." --Harper's Magazine A screenwriter, his wife, and their four-year old daughter rent a house in the mountains of Germany, but something isn't right. As he toils on a sequel to his most successful movie, the screenwriter notices that rooms aren't where he remembers them--and finds in his notebook words that are not his own.
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You Should Have Left
Regular price
$16.00
Sale price
$16.00
Unit price
$16.00
/
per
item